To be a Black woman in America today is to live on the edge of hypervisibility and invisibility, as poet Claudia Rankine wrote in Citizen. If she is poor and elderly, to boot, she is hidden. But not to us at H.O.M.E., rooted in the faith-based principle that each human has intrinsic worth, and isolation is antithetical to our very being. Illustrating the desire for both independence and association, Mable, a long-time resident of H.O.M.E.’s Nathalie Salmon House, described how she likes not only having her “own private room and mailbox key” but also making breakfast in “a place where I have community.”
Who would you like to be your neighbor? It used to be typical that children would take in parents, “maiden aunts” or bachelors. Today, depending on region, income, or culture, only about ten percent of older adults in the USA live with their extended families. Whether an older adult is wealthy, middle-income, or poor, each person’s need for community – a community that invites people of all ages through its doors – should be honored.
What are we supposed to make of John Hampson's "bug art"? To me, what matters is how we view the work. We have a choice. We can view the pieces as the Fairbanks describes them, as insects “meticulously positioned on wood and lovingly framed.” Or we can interpret them as shadowboxes that stand at the crossroads of self-expression and destruction. These works can serve to pull us like a moral clarion call to honor natural life rather than to destroy it. At the Museum of Everyday Life a few miles away, celebrate what is living and breathing.
With all the noise about fake news and conspiracy theories at fever pitch following the election, one fundamental but understated truth stands out: our trust of and even acquaintance with our neighbors is at a new low. It is no wonder that fear of “the Other” reigns in the form of bigotry, gun violence, and general resistance to giving anyone either a hand up or a hand out. The solution? Reach out and get to know your next door neighbor.
Dorian Gray's logic – “What did it matter what happened to the coloured image on the canvas? He would be safe. That was everything.” – is precisely the logic of the gated community. In this morality tale, a social system based on greed and buttressed by fear and repression renders no one, whether within or outside the gate, truly safe. How do we shape desirable communities for all people?
The quiet and humorous atmosphere of the Museum of Everyday Life belies the seriousness of its message. In my contemplation as a "philosopher in residence" here, I not only come to appreciate my toothbrush, I consider the people around me. More often than not in our daily lives, we are oblivious to the individuals as well as the objects who, through their work, enable us to live our lives. But even deeper than this, it is their Being and not their Doing that matters.